Getting your mind’s eye in the groove 

Sometimes it can be difficult to imagine what a piece of artwork will look like once it’s mounted and framed up on the wall.  Would it be best positioned above a mantlepiece or your office desk? Maybe in the kitchen or living room?  Iris and I have created some mock-ups for you to see, examples of her work in interiors to get your mind’s eye in the groove so you can easily start to picture her framed pieces up in your own home.

Prints are available to buy from her online shop in a variation of sizes –

Giclee Printing

Using extremely ‘high end’ scan-back camera technology and daylight balanced lighting, we are able to create an incredibly accurate and detailed digital image from Iris’s Original Paintings. 

Our colour management ensures consistency and guarantees the highest standards and quality of image. With the very latest in art printing technology with fully calibrated photo-scanning, processing and printing equipment, we pay fastidious attention to colour balancing to ensure extremely accurate reproduction.

The word Giclée (“g-clay”), is derived from the French verb gicler meaning “to squirt or spray”, Giclée, is used to describe a fine art digital printing process combining pigment based inks with high quality archival quality paper (Hahnemühle German Etching,  310 gsm) to achieve Giclée prints of superior archival quality, light fastness and stability.

Profits from the sales of her art go towards her therapies, education and future.


Kuendelea, 55cm x 75cm

Iris is listening to her favourite African music while she paints, making me laugh as I watch her body sway to the music.  Cloaked in blue cotton with little tassels on her cape dancing to the beat.  Her arms shoot out this way and that as she works quickly from one side of the paper to the other.  Then disaster strikes! Her cape drapes into the paint and spreads it’s mark across the paper.  Iris is in shock, standing perfectly still for a while as I make a plan to help her.  First by trying to get as much of it off her cape as possible, she points to the paper and I give her a hug telling her that it will be alright, we will sort it out.  She is miserable and I have to take her away into another room to calm her down and we leave the painting to dry.  Later when all is well again, the cape washed and dried, she returns to her painting and I fill with pride as I watch her try again.  This time she uses the sponges to create different effects on the paper and a beautiful image grows and evolves before my eyes.  A dramatic and incredibly expressive painting lies before her on the coffee table in the kitchen.  So here it is, Iris’s new Painting called ‘Kuendelea’ a Swahili name meaning growth and evolution.

The Tale of Green

‘The Tale of Green’
55cm x 75cm

The Tale of Green

Green paint swirls around the ceramic bowl as Iris carefully stirs.  Her whole body swaying in time with the brush, intense focus on the colour before her transports Iris’s mind, body and soul into an elated almost hypnotic state.  I’m at the sink dampening a sponge, so it’s ready to wipe up any unwanted spillages on the floor and as I turn, she is beaming a smile up at me, this is my chance to talk about her painting, the colours, shapes and patterns.  A pathway to Iris using paper and paints, creating a connection between language and it’s true meaning.  I pause, I hear her voice, her beautiful voice ‘Greeeeen,’ with a smile so big it could fill the room.  It takes all my strength not to just go over and squish her with a huge hug and a thousand kisses, but I fear that would be going over the top and make her feel self conscious.  I compromise with a little celebration and one kiss on her forehead but she gives me a look as if to say I am very busy and still have important work to do so I back off.  After all, there is painting still to be done and within moments the paper that lies across the coffee table is filled with a sea of green.


‘A-Where-Wa’ 55cm x 75cm


I call Iris over to see her latest painting on the computer screen, she sits on my lap and we both look at the swirling colour formations and I try to think of a suitable name.  Iris has been particularly chatty lately, mostly in her own made up language but it’s a progression that we are all very proud of.  So I ask her what she thinks the painting should be called and she leans back into my arms and looks straight at me smiling and then repeats the words ‘a-where-wa’ over and over again.  Job done, she walks off to play with some toys, now vocalising a whole load of ‘b’ sounds as she pushes her Postman Pat van along the ground.  Feeling uncertain if I should use this name, I ask her once again what the painting should be called and she repeats the same words ‘a-where-wa’ once again, clearly and without hesitation.  So there we have it, here is ‘A-Where-Wa’ Iris’s first painting that she has named all by herself.

Prints in 42cm x 56.5cm, 33cm x 44.5cm and 23cm x 31cm aswell as the full size.